"Your head's so filled with thought you can't use your imagination
Like a sky so filled with stars, you can't find a constellation.
And everyone's so sensitive to any bad vibration
You're so impressing, while we're regressing..."
The first time I visited Hollywood, I felt like I'd gone back to high school. The cliques of super cool kids, jocks and brainers determined not to intermingle less cooties might be spread. The desperation to fit in, to be immediately identifiable, to catch the latest trend and flaunt your wealth or status.
And as much as Hollywood films have changed, those traits of the community making them have not.
To be a Hollywood player you always need to keep your thumb on the pulse of the nation and maintain the appearance of one who espouses the right causes, knows what "the other kids" are thinking and champions the next big thing.
Corporations don't give out those six-figure gift bags at the Oscars because they like the kids from Hollywood High. They need their access to the market that will either buy their products or aspire to buy them.
And at their best, movies do change hearts and minds. "To Kill a Mockingbird", "In the Heat of the Night", "Mississippi Burning" and "Selma" revealed garden variety racism as the illogical evil that it is.
Films like "Philadelphia", "Paths of Glory", "The Big Short" and "Spotlight" were all rightfully honored for opening our eyes to the way the world really works.
Game-changing films such as those are rare, however, since most of us buy a ticket at the box office to get away from the real world for a couple of hours and just enjoy some action, adventure, romance or comedy.
And that's where the progressive impulse of the film community sometimes trips over itself and in its eagerness to show how forward thinking it is, forgets what it was really trying to accomplish in the first place while corrupting film memes that audiences have come to love.
Now, don't get me wrong. I'm not saying we shouldn't have gotten rid of Stepin Fetchit, white guys playing Charlie Chan or hordes of blood-thirsty savages (of any ethnicity) charging in to massacre our hero and heroine for no other reason than "that's just what they do" and "how else can the cavalry come to the rescue".
But I'm feeling a little like the appearance of championing diversity, gender equality and acceptance of sexual preferences has become more important than actually helping things change.
"Well, I don't mean to piss you off with things that I might say
So when I try to shut my mouth they come out anyway.
Cause when I speak my mind, that's when we connect
Yeah, but that's not politically correct..."
A while ago, some Hollywood bright light had the idea of rebooting "Ghostbusters" with an all-female cast. Maybe not such a dumb idea at the concept level. But then nobody seemed to think it through much further than "let's put some actresses into those grey coveralls" and certainly not as far as "and put in some good jokes".
The film flopped. Simply because it just wasn't very good. A reality the studio tried to blame on a negative wave of misogyny that was eventually revealed as a pretty much a PR ruse.
Not to be deterred, another studio has embarked on a female version of "Ocean's 11" to be re-titled "Ocean's 8". Again, not a bad idea -- and from my point of view terrific if they keep Matt Damon in the same role.
Somewhere I joked that if this was the latest high-concept formula, I was looking forward to the all-male version of "Thelma & Louise" -- which is probably under consideration somewhere but using Gay or Asian guys instead.
It just seems to me that if we are serious about increasing the work opportunities for artists no matter their gender, race or sexual preference, then we need to play to the strengths of those artists and not just park them in some lame cinematic attempt to appear inclusive.
What's more, we may need to a get a handle on confronting what's a real issue and what's just fashionable in the moment.
With the passing of Gene Wilder, for example, there was an out-pouring of affection for "Blazing Saddles" a movie most of those praising it would have turned down flatly for its political incorrectness alone and most certainly wouldn't be caught buying a ticket to see it.
That film is just one example of the kind of work you just can't do anymore. Simply because the appearance of doing it is something the cool kids in Hollywood cannot abide.
And the number of those films increases daily. Five examples follow, along with SR-71's performance of the song lyrics included in this post.
Enjoy Your Sunday...